Life on Pig Row continues in our absence. The plants grow, the courgettes swell, the tomatoes ripen and the raspberries put on new growth.
The best thing about a well run flower show is that you will often find hidden gems located on your doorstep.
Here on Pig Row there are fits of giggles from Little D as he stomps up and down the path in front of our house, as his Mum and I look at our small car boot.
There are sheds and then there are sheds on Pig Row. There are sheds that are built to house tools, spades, lawnmowers, trampolines and screws. There are sheds that are churches to screws, nails and an array of masculine power tools. I never thought I would build a shed for crockery.
Here on Pig Row as July draws to an end we all stand by the rhubarb patch looking longingly at the fat stems and dinner plate leaves.
In
Andrew Oldham,
Life on Pig Row
Life on Pig Row - Here on Pig Row we have been thrown by the weather ...
Here on Pig Row we have been thrown by the weather. Rain and rain and more rain. We are weeks behind with the weeding, the rain has been a boon to the weeds and not to the skin of the gardener, me. Little D and his Mum have watched from the kitchen window as a trudge up the wet steps to a wetter garden coming back ninety minutes later, blackened, muddy and tired.
In
Andrew Oldham,
Life on Pig Row
Life on Pig Row: Here on Pig Row Little D is wandering up and down
In
Andrew Oldham,
Life on Pig Row
Sunday in the garden - Life on Pig Row..Here on Pig Row we are thinking beans
Here on Pig Row we are thinking beans not to be confused with the beans my wife opened a few days ago. She found something organic, something not bean like floating in the tomato sauce. I suspect that it was a sliced up mouse, I’ve seen them before; I’ve worked in a crisp factory. I couldn’t help but tell my wife the story of crispy sliced mice, she shrieked, felt queasy. I shouldn’t have told her that story but my mouth went into first gear before my mind did, I am a man, it is a curse of our whole gender. All men have the ability to put their foot exactly where their mouth is in less than a split second.
In
Andrew Oldham,
Life on Pig Row
Sunday in the garden - Life on Pig Row - Here on Pig Row I am building a new garden
Here on Pig Row I am building a new garden for my wife. It will be sited by her new office, under a spreading elder tree. At present this new office garden is a freshly dug piece of earth rich with peat. This is how the plot at Pig Row runs from peat to sand stone, from north to south, down hill to the valley floor and the back of our house. It runs from the worst of the winds to the silence of the walls that run around our house, here we are nurtured, kept safe from the worst of the weather.
The house at Pig Row is hewn from the land, as if a giant came, stumbled and reached down, scooped up the stone and earth and spent awhile whittling them before placing them back down into the hole left by his hands. The house is not on the horizon, the house is the horizon, it is the hillside, it is the lane outside our house, it is the meadow across the lane, it has been part of this world of farms, stone walls, cows and horses for four centuries. Things pass here as they have always passed, neighbours talk, and tells tales of those who once lived here. At Pig Row, a name that lingers long after the pigs have gone, there are tales of a wrestler who worked the mills by day and wrestled in our meadow before his dinner for a few shillings; wrestling in the mud, between the snorting pigs, moulding the earth with his throws, pin downs and holds. When I ask why they didn’t wrestle behind the house, an old neighbour laughs, looks at me and tells me that if you’re going to fall you want to fall on peat not sandstone.
Each sod I turn in my wife’s new office garden, I wonder, I fear I will find a wrestling belt, a trophy, a leotard or the dumb bells of a strong man along with his giant moustache. There is only stone, the remains of a collapses dry stone wall, replaced half a century ago by a hawthorn hedge. I get scratched by the thorns as I lever giant blocks of stone out of the soil, the stone is rolled away and stacked for other places in the garden, the wall by the arbour in the fruit and herb garden, the path by the glasshouse, where ever this stone belongs it will tell me.
The longer you spend in a garden, the more tuned you come to its movements, its whispered words and this stone has been buried for so long that it is happy just to bask in the sun and rain for a season before it finds its new home for as long as I garden at Pig Row.
As the stone is cleared I pull out the weeds, cut back the runners from the hedge and erect three large wigwams. At the base of each of them I plant sweet peas, Noel Sutton and White Leamington, nip out each shoot to get them to bush out, to produce more flowers. Even after a few hours, there is a sense of urgency in their growth, they stretch and by the end of summer they will have covered the wigwam.
There are more plants waiting to get in the ground, purple hostas, lupins, oriental poppies, honesty, geraniums and ladies mantle. There are plans for a seat beneath the elder tree, a scented rambler rose for its branches, a new plant amongst those that I brought from old garden at Drovers. My wife’s office garden will be a full, fat, sumptuous cottage garden, a remembrance of our old house in our new garden.

In
Andrew Oldham,
Life on Pig Row
Sunday in the garden - Life on Pig Row - Here on Pig Row I am busy planting sweet peas
Here on Pig Row I am busy planting sweet peas in their final place, digging over the soil is liberating, pulling out the weeds, adding compost bringing a barren piece of land to life. I have a great sense of peace here on my hillside, just me, a spade and a bucket for the weeds. Little D must have an inbuilt radar for peaceful people, he staggers up the steps pulling his Mum behind him; there is that moment when I can’t make out who is controlling whom, the reins pull one way and back again. It would only take my wife to say, ‘mush’ and there would be a sense of order but Little D seems to be winning the battle, it is not a question of guiding him with the reins, it is more a belief that if you hold on hard enough he may at some point sit down. He does, in the bucket, and inspects the weeds, holding each up, marking them, grading them and depositing them beneath the rhubarb leaves. He has his form of order and tidiness. He’s back up again, using the newly planted sweet peas and bamboo tripods to steady himself, he giggles, stomps off, my wife barely has time to kiss me bye before she is dragged away towards the glasshouse.
I carry on digging. It is best to keep out of these things.
There are a few yells, screams of pleasure from Little D, cries of ‘Oh for God’s sake’ from my wife. Little D has found the shed, he has found the clutter, he has found paradise, plastic plant pots fly, string is found with a manic laughter akin to master criminal in a James Bond movie. I can’t help but smile, it brings another story to my garden, the day I planted sweet peas, the day Little D discovered the great pleasure of touching plants, pushing his face against the glasshouse windows. I don’t think my wife sees it the same way as she is dragged past me down the steps and into the house.
I take a walk up to see what the damage is, I throw the Little D excavations back into the shed, lock it, you never know, he will be back. I check the glasshouse, the tomatoes are wilting under the blazing sun and for the first time in the year I have to pull out the glasshouse shading open all the vents and damp down the central path. I water in the newly planted tomatoes in the border, Arkansas Traveller, I don’t know what they look like or what they taste like, such is the beauty of swapping seed. Another gardener tells you, ‘Try this, they’re great’ and I don’t hesitate, if another gardener recommends it, I try it. The tomatoes bounce back to life under the watering can rose and the shading helps to keep them happy. The same can’t be said for my wife, she reappears at the bottom of the garden, towed along in the wake of Little D, I catch on the air as she passes, ‘Five times around the larder, three times around the kitchen, up and down the stairs twice, send help, send tea’.
I go back to digging, there will be time for tea but Little D needs to be asleep for us to really have a brew. The oldest tale of parenthood is whatever drink you make yourself will never get drunk; they will just stew on a mantelpiece, a sideboard and kitchen unit. There are signs that Little D is flagging, as they sail past on the final flurry towards the house, I can hear him muttering, a garbled mess but you can tell by the way he’s chewing his dummy that it won’t be long before he is asleep and we can sit down, drink tea, eat cake and talk in hushed whispers as he flops over both our knees. But that is later, now peace returns, the soil is turned and I get down on my knees and start to plant my sweet peas for this year, in goes Noel Sutton, White Leamington with its elegant, pure white, frilly flowers, the only sweet pea I always grow the sweetly scented Miss Willmott, the glorious Winston Churchill and the crimson frilled flowers of Beaujolais, a mere £5.95 for seed that has become one hundred and twenty six healthy plants. If you want to try any, you can still direct sow and get a late flowering of sweet peas. They’re available from Dobies http://www.dobies.co.uk.
They sweet peas will bring colour to Pig Row and in those brief moments of peace I can cut them, give them to my wife and remind that regardless of Little D, I will always grow her flowers.

In
Andrew Oldham,
Life on Pig Row
Sunday in the garden - Life on Pig Row - Before I moved to Pig Row ...
Before I moved to Pig Row, I gardened like most people in my spare time and with aspirations of a grander life where I would live off the land. At Drovers, my old garden, this was impossibility. I came to Drovers at the start of the millennium, a plot that was no more than ten feet by seventeen, a reclaimed piece of ground from the off road parking movement. This L-shaped garden largely faced south apart from the path to the front door which was shaded by the gable end of the three storey weaver’s cottage we lived in. The ground was hard, compacted by car wheels and was home to a sad crocosmia and dying daffodils clinging to the edges of the garden.
The parking space cum garden was a home to the neighbourhood cats and kids. The latter became clear after we built a new fence and had to scrape several children and their bikes of it one Sunday afternoon. Later, I waged a war against randy cats with a water gun as they moved in under cover of darkness to dig up the new plants and sing.
Over ten years the war with cats escalated, a war I won, thanks to the fact that I never left any bare soil at Drovers. The neighbourhood kids grew up, moved away, saving my fence and I built a garden.
But, at Drovers in that first year, like most new gardeners, I planted everything and anything. Any plant that I saw at the garden centre came home with me, I had no idea what hardening off was or why it was wrong to see summer plants in full flower in March. Such are the dangers of garden centres and over eager new gardeners looking for an instant garden. Back then, I had no real idea what to plant or when. In that first year I lost more plants than I have lost in the last decade. I over planted and never dug over the plot except for planting holes.
In that first year I didn’t dig in any manure and composting was something that old men did alone at the bottom of the garden to avoid their wives. Drovers was not big enough to avoid anyone, and I had no desire to avoid my wife. Drovers was a front garden on show to everyone who lived in the small courtyard in which our house nestled.
Drovers failed in that first year and if I had been a less stubborn man I may have turned my back on gardening. But I am stubborn. I spent the autumn and winter reading up on gardening, I moved from room to room, floor to floor, clutching an open book. There were sounds of ohhh really?, never knew that and well, that explains a few things from every nook and cranny in Drovers.
I learnt that all gardens work when they start at the most basic level, the soil. Drovers had hardly any of that in that first year; a mere inch clung to a hard pan. When I left ten years later the soil level was a good twenty inches in parts. I crammed in the power factory for that garden, two compost bins and two water butts. There was no room for a greenhouse and in spring many of windowsills at Drovers were full of seedlings and complaints from my wife.
However, Drovers taught me an important lesson that gardens are organic, that they can change as we live in and with them. Though the path to the front door never moved the plans for Drovers changed seasonally as I tried my hands at raised beds, fruit growing and herbs. I was never afraid to sweep aside sections of the garden to fit the family’s needs. This is an important lesson for any gardener, that the garden is there for your enjoyment and for your family, and like your family it changes, sometimes it likes you, sometimes it argues with and sometimes it sits there in a huff but it will always be with you and you with them.
This is how I see Pig Row. This is how I have approached it. Pig Row is my family’s garden and fits my family’s needs. I grow for my family. There would be no Pig Row without Drovers.

Dormouse is having a Valentine's lie in. Here are some Sweet Words from writer Andrew Oldham to go with your morning cuppa.

Photo credit: sideshowmom from morguefile.com
THE GROTTO
They say the roof is made of crystals;
The kind that glimmer when candles are brought in,
But they must be brought in on a summer's evening
When the grass pollen is high,
and the flowers are turning to seed.
I think of the lovers that came here
Clutching jam jars with lights in
Watching the shine in each others eyes in the flickering light
But eighty years on and the grotto is waiting to be restored
The walls have turned to moss and mould and
Instead of lovers turning to each other with flames
You turn to me and say it looks like a witches coven,
We laugh and for a moment we shine.
Reproduced with kind permission from Ghosts of a Low Moon by Andrew Oldham (Published by Lapwing) RRP £10. Signed copies can be purchased here.
Andrew Oldham is an award winning writer and poet. His work has featured in The Sunday Times, Ambit, The London Magazine, Interpreter's House, North American Review and Poetry Salzburg. His poetry has been broadcast on BBC 4's Poetry Please. He lectures on creative writing at EHU and the OU. He lives in Saddleworth where he curses rain and climbs trees to face North winds.

Photo credit: sideshowmom from morguefile.com
THE GROTTO
They say the roof is made of crystals;
The kind that glimmer when candles are brought in,
But they must be brought in on a summer's evening
When the grass pollen is high,
and the flowers are turning to seed.
I think of the lovers that came here
Clutching jam jars with lights in
Watching the shine in each others eyes in the flickering light
But eighty years on and the grotto is waiting to be restored
The walls have turned to moss and mould and
Instead of lovers turning to each other with flames
You turn to me and say it looks like a witches coven,
We laugh and for a moment we shine.
Reproduced with kind permission from Ghosts of a Low Moon by Andrew Oldham (Published by Lapwing) RRP £10. Signed copies can be purchased here.
Andrew Oldham is an award winning writer and poet. His work has featured in The Sunday Times, Ambit, The London Magazine, Interpreter's House, North American Review and Poetry Salzburg. His poetry has been broadcast on BBC 4's Poetry Please. He lectures on creative writing at EHU and the OU. He lives in Saddleworth where he curses rain and climbs trees to face North winds.
LOVE February Competition - Fourteen days of fabulous prizes!

Tell the team at Dormouse and The Teapot where the most romantic location is. Post your answer in the comments section by clicking on comments below, make sure you leave a contact email or twitter name otherwise if you win we won't be able to send you your prize!
Today's lucky winner will win a signed copy of Andrew Oldham's Ghosts of a Low Moon from Lapwing Poetry.
All winners will go in a draw on 14 February to win a fantastic vintage tea set for two from www.dormouseandtheteapot.com
Remember there will be fourteen days of competitions, you may enter the competitions as many times as you wish over the fortnight but you may only win one prize.
Sorry UK entrants only
Also note that this competition is also restricted to over 18s due to some strong language and adult themes within this publication.
This competition closes at midnight on 13/02/2011.
Dormouse and The Teapot use a randomiser to select the winner.
Also note that this competition is also restricted to over 18s due to some strong language and adult themes within this publication.
This competition closes at midnight on 13/02/2011.
Dormouse and The Teapot use a randomiser to select the winner.